Adamo Macri Studio

IMDb Adamo Macri Spout (2006)

2012-02-16T11:41:00.000-08:00

Adamo Macri Videography
Spout (2006)
IMDb

IMDb Adamo Macri Exuviae (2011)

2012-02-08T13:25:00.000-08:00

Adamo Macri Videography
Exuviae (2011)
IMDb

IMDb Adamo Macri One Onion Canon [OOC] (2007)

2012-02-08T13:22:00.000-08:00

Adamo Macri Videography
One Onion Canon [OOC] (2007)
IMDb

IMDb Adamo Macri Slide (2007)

2012-02-08T13:18:00.000-08:00

Adamo Macri Videography
Slide (2007)
IMDb

Adamo Macri: Bizco Art Magazine No.8

2011-12-03T07:00:00.000-08:00

We think of the alluring statuary of classical Greece from which we derive our ideals of physical beauty, of human shape and proportions, confronted by its antithesis, the freakish which break down the classic norms of size, shape, texture, the perfect physique. Does the freak both repel and fascinate because he violates our standard views of correct appearance, of the body beautiful? Does a kind of ironic beauty emerge through the smog and noxious atmosphere of contemporary life? Macri ranges very far with an often restricted pallet and often focuses on minute details; for example, in the accumulated encrustations on a drain pipe, potentially disgusting, yet effectively beautiful, however strange. It seems to be an image of bubbling corrosion, but from an entirely different perspective it’s a depiction of life emergent in obscurity, life at the cellular level as the artist in his acute and fine perception sees it ... (Read)

Bizco Art Magazine

BEAUTIFUL! Adamo Macri Interview

2011-10-13T07:49:00.000-07:00

BEAUTIFUL! Adamo Macri Interview
October 2011 Issue

Adamo Macri Tribute Videos

2011-09-06T09:16:00.000-07:00

Adamo Macri and Porcupine Tree Deadwing
by Rhona Kemp
A Tribute Video

Mystical, Moving, Magical Macri [HQ]
by Jo Ann Marie Salmoretti
Dedication to Multimedia Artist, Adamo Macri

Adamo Macri: Still Life (video)

2011-08-24T08:32:00.000-07:00

Still Life (video)
A silent video short on the concept development of the Still Life project. Storyboard sketches illustrating the initial ideas dissolving into the final photographed sculptural works. Designed as a multiframe piece, the final photographic installation consists of 18 images across 18 rows, totalling 324 different frames.

Adamo Macri 'Facing the Faces' by Kenneth Radu

2011-04-16T11:58:00.000-07:00

Facing the Faces: the Facebook Self-portraits of Adamo Macri
by Kenneth Radu

Kenneth Radu is the author of a dozen books, including story collections, novels, poetry, and one memoir. His first collection of short fiction, The Cost of Living, was nominated for the Governor General’s Award. He has twice won the Quebec Writers’ Federation Best English-Language fiction award for A Private Performance and Distant Relations. His work has also been shortlisted for the Books in Canada First Novel Award and the Journey Prize. In the spring of 2010, DC Books (Canada) published his latest book, Sex in Russia: New & Selected Stories.

Adamo Macri: Beetle of Hectares

2011-03-24T14:07:00.000-07:00

Beetle of Hectares
Can be viewed at Adamo Macri's facebook profile page

Adamo Macri Sint-Lukas Gallery (Brussels)

2011-03-16T09:44:00.000-07:00

Time Is Love 4
International Video Art Exhibition
Sint-Lukas Gallery
Sint-Lukas University College of Art & Design
Paleizenstraat 71
1030 Brussels Belgium
17 March 2011

On the occasion of the Here is there, there. BXL-LDN exhibition at Sint-Lukas Gallery, curated by Laurence Dujardyn and Tom Trevatt, Time is Love 4 is invited for a special screening on March 17, 2011

6:00pm: Screening
7:00pm: Talk with Kisito Assangni curator of Time Is Love, introduced by Laurence Dujardyn

Artists:
Adamo Macri, Alex Pearl, Antonio Pinto, Christy Gast, Eric Fong, Fabienne Audeoud, Kai Lossgott, Lane Last, Ludovic Sauvage, Martin Dege, Michele Magema, Neil Howe, Philippe Van Wolputte, Rachel Maclean, Samira Eskandarfar

Adamo Macri: Art Beijing Contemporary Art Fair

2011-02-16T10:28:00.000-08:00

Adamo Macri Art Beijing 2010

View more presentations from Adamo Macri.

Adamo Macri Artworkdemo Berlin

2011-02-06T19:40:00.000-08:00

Artworkdemo Berlin

Adamo Macri Studio: Exhibition News

2011-02-02T11:00:00.001-08:00

Adamo Macri Studio. One Onion Canon will screen as part of the Time Is Love international video art exhibition. February 26th at the Hexagon Space in Baltimore Maryland.

Hexagon Space
1825 North Charles Street
Baltimore Maryland 21201 USA
February 26, 2011

Adamo Macri: One Onion Canon

2011-01-24T12:34:00.000-08:00

One Onion Canon (video stills)

Adamo Macri's One Onion Canon will screen as part of the Time Is Love international video art exhibition, which will take place February 26th at the Hexagon Space in Baltimore Maryland.

Hexagon Space

1825 North Charles Street

Baltimore Maryland 21201 USA

February 26, 2011

Screening: 7:00pm

Adamo Macri: Time Is Love - Hexagon Space (Baltimore)

2011-01-23T12:53:00.000-08:00

Time Is Love
International Video Art Exhibition

Hexagon Space
1825 North Charles Street
Baltimore Maryland 21201 USA
February 26, 2011

Screening: 7:00pm
Talk: 8:00pm Kisito Assangni with Shaina Craft, Coordinator of Hexagon, followed by a public discussion.

Time Is Love Screening
RHIZOME
Art Review
Artbash
ARTslant
Local Artists
North Baltimore Patch
Club Zone

Adamo Macri: Time Is Love 4 (Switzerland)

2011-01-01T15:10:00.000-08:00

Time Is Love 4
International Video Art Exhibition
Centro Arte Contemporanea Ticino
Via Tamaro 3 CH 6500
Bellinzona Switzerland

January 22, 2011
Screening: 5:00pm
Lecture: 6:00pm Kisito Assangni with Mario Casanova, Director of CACT, followed by a public discussion.

CACT
RHIZOME
SANART
Art Review

Comment from Diane Kerr - Adamo Macri

2010-11-07T11:19:00.000-08:00

I am very impressed with "Damo"'s ability to express himself and describe his art in such a limited form as words. So often interviews with artists prove frustrating-trying to decipher what they mean in relation to their work. What is amazing to me is that I am not an artist, but certainly an admirer of art in all forms, and I can picture his descriptions perfectly and with ease. in particular, I can relate to the "vector" starting point. As a health care professional, this term is used to determine origins of infections in particular. In addition, his collapsing of 3-D or sculpture into photography is given a perfect analogy-his grandmother, no longer living, is now seen in 2-D with photos being the most accessible of her images.

I also like the fact he uses the term multi-media loosely. I do not believe an artist works in one medium at all. Even if you say "I am a photographer" you still render your art from one form to many others through the methodologies of the process itself. Adamo's "seed" is a beautiful word to describe someone who loves nature-and social/cultural studies of various aspects of the process of creating art. And art is not limited to him in one genre-he cites filmmakers, musicians, and even food as influences-and it seems it would be true that day-to-day life experience, metaphysical influence, as well as renowned artists of various skills and mediums, would form an artist's world perspective, not just certain artists and their works. So many artist either cite the greats in their field, or simply the angst or trials of life as their influences.

I am quite enthralled by this interview and certainly glad I have the wonderful privilege to experience his works, past, present, and in progress.

Bravo!
Diane Kerr
Interview with Adamo Macri

Comment from Joel N. Juan Qui - Adamo Macri

2010-11-07T11:15:00.000-08:00

Artistry’s language becomes clear as we reach deep into the most essential meanings of each intention projected into art works of any discipline. Damo is not the exception. In his universe of expression, leads us in between the spontaneous nature of his seduction done through images anyone may taste at first glance. In other hand, he captures our attention by putting those words our brain avid of sensations, traduces into wonderful stories coming out of his different Opus and particular creations, just to tell us the way he communicates his most inner thoughts. Macri, a great story teller, that uses one of the most difficult and subjective languages in the world to communicate himself: Non verbal language.

Joel N. Juan Qui
Pianist
www.joeljuanqui.com
Interview with Adamo Macri

Comment from Valter Luca Signorile - Adamo Macri

2010-11-07T11:10:00.000-08:00

“we never cease to help human becoming” è questo ciò che penso di me stesso, del mio ruolo, del mio agire artistico.
E' questo ciò che dal mondo trans_umano di Damo ho nettamente udito.
Ho udito, esatto, e non solo.
Tutti i sensi sono stati coinvolti, senza sosta, senza costrizione, senza difesa, riassorbiti in un vortice di eco interminabili. Il corpo diventa partecipe dell’attraversamento di un mondo completo, sorpreso nel riappropriarsi di un ricordo mai definito o sperimentato. L’ermafroditismo è stratificazione strutturale nell’elemento artistico, criptato nei pixel, nel segno, nel suono, nella materia, nel colore. Un resoconto di ritualità diffuse, recuperate attraverso immagini scandagliate da chissà quali lontani millenni o forse dei quali più non rimane traccia.
Ogni pulsare diventa traccia codificata e dispersa, la materia sfonda ogni confine, emanando ibridazioni irrinunciabili, sorgenti e oceani di richiami cosmici.
Ogni identità diventa altra identità danzando incontrollabilmente tra tempo e spazio.

Valter Luca Signorile
Artist
www.valterlucasignorile.com
Interview with Adamo Macri

Comment from Patrick S. Smith - Adamo Macri

2010-11-01T15:08:00.000-07:00

"Before I asked you to be a contact, I looked through your website and your blog... I read with great interest the interview [the one a few pages from the start] on your blog... after reading it, I asked you...

... reactions?

first, wow... so intense, so direct and heart-felt... that you said, contra a painter, you're not interested in simply knocking off another canvas... but truly investigating... in order to find what you call a flavour… after a methodical process

second, a manifold of investigating...

third, I really would like to know more

so, those are my first reactions... to interpret? how can I now?... I am too astonished...

Patrick"

Patrick S. Smith author of:
Andy Warhol's Art and Films (1986)
Warhol: Conversations about the Artist (1988)

Adamo Macri: Time is Love [4]

2010-10-21T13:49:00.000-07:00

Time is Love [4]
International Video Art Exhibition

Cellular Excitement: An Appreciation of the Art of Adamo Macri

2010-10-13T12:01:00.000-07:00

Cellular Excitement: An Appreciation of the Art of Adamo Macri

by Kenneth Radu

In many of his drawings, photos, constructions and other pieces of art, Adamo Macri depicts various forms existing beneath the visible surfaces of the world, and the reality of secret miniscule life teeming in obscure places. He explores, or imagines, acts of creation from the fundamental cellular level of existence to the intangible world of states of mind and desire. His style emerges from multiple techniques for he is a multimedia artist working with a wide range of technologies and organic elements. His drawings and Still Lifes often appear curled and whorled as if produced in a swirl of electrified haste, but they are nonetheless deeply imbued with intimations. One cannot help but feel that in Macri’s art the birth of the cell is the beginning of raw passion, the latter term to be understood as energy, feeling, changes, and violations of conventional attitudes or standard responses.

Many of his drawings are concerned with the elemental phenomena of existence, intimate states of desire and transgressive yearnings at times which, paradoxically done in tones of grey, illuminate pre-rational being. Lines connecting, inserting, rotating; the circular and circulating; the unfolding and opening; the receiving and the penetrating; fierce currents of bodily fluids; the energy of seeds bursting, of life fomenting; the provocative daring of instinct and urges, erotic connectedness outside the realm of romantic banality and oppressive morality, but within the dynamic of instinct unleashed and given concrete form in art itself: such is the dynamic and provocative world of Adamo Macri. His drawing of a giant male figure howling embodies what I am saying here. It is the most overtly expressed of all the images, emitting power, almost quasi-mythic in its emergent and ravenous stance.

Macri’s art reveals an obsession with invisible reality, the vigour of the cell in all things almost going to the heart of the nuclei itself. Fully aware of body’s water and blood and the genetic basis of human identity, he becomes fascinated with the interruption of what would ordinarily constitute normal development. The "normal" endocrine secretions into the blood are stalled, interrupted, or transformed perhaps, accompanied by gender altering and experimentation, a liberation from biological determinism which lead to sexual transfiguration. Alteration and transformation, transmogrification by the magic genius of his art, as even the genetic facts of humanity are mutated in this context, morphology itself under the microscope: all illustrate aberrations of the human form, sometimes self-willed as in the deliberate drinking of poisons or socially inflicted, as in the absorption of a polluted atmosphere into the cells of nature. Such changes to the human form challenge ideologies of beauty and naturalness.

We think of the alluring statuary of classical Greece from which we derive our ideals of physical beauty, of human shape and proportions, confronted by its antithesis, the freakish which break down the classic norms of size, shape, texture, the perfect physique. Does the freak both repel and fascinate because he violates our standard views of correct appearance, of the body beautiful? Does a kind of ironic beauty emerge through the smog and noxious atmosphere of contemporary life? Macri ranges very far with an often restricted pallet and often focuses on minute details; for example, in the accumulated encrustations on a drain pipe, potentially disgusting, yet effectively beautiful, however strange. It seems to be an image of bubbling corrosion, but from an entirely different perspective it’s a depiction of life emergent in obscurity, life at the cellular level as the artist in his acute and fine perception sees it.
Macri’s art is not representational in the commonly understood sense of the term, even if a drain pipe can be recognized. Because he makes free and imaginative use of all media available to him, his art infiltrates the imagination and penetrates dull perception for the purposes of transformation. What might seem to be images of chaos is really a subtly organized illumination of vibrant cellular activity. Macri does not wander into pure abstraction, for his work is as much welded to the concrete of the organic and the metallic as it the nebulous world of emotions, intimations and erotic impulses. For all its radical shifting of the banal and the expected, he is very interested in flesh and blood on various levels. Consequently, his work contains a kind of quivering, or may induce that kind of response in the viewer sensitive to his vision, a fleshy response if there ever was one. Broadly speaking without pointing to a specific image, Macri’s collective body of work can merge into and become inextricable from the viewer’s own flesh and blood.

Prolonged exposure to the riveting details of his images leads to their becoming fixed in the mind which produces a curious desire to see more. For cells by nature proliferate and in the act of stirring may well mutate, become something else, or engender more of their kind. Life is happening at the cellular level in his art which explains the orgasmic burgeoning effect of the implications in Adamo Macri’s images. He builds upon physiological facts and creates a vision derived from the unobserved and disregarded microcosms surrounding us, imbuing them with the eroticism of swiftly moving lines, curves and muscle, hidden energy and overt power. The phenomenon of unimpeded growth and the power of possession, whorling and curling, which almost reflects the structure of the brain itself, or the unfurling of the seed, the ejaculation of a life force.

The structural basis to many of the Still Life images often depend upon the recurrence of similar forms. They create an intriguing melding between the organic and inorganic, between inert metal made alive by encrustations of cellular energy, between electricity and flesh, as if re-creating life forms. So, how interesting that the name of the artist is Adamo, given to him at birth and not later adopted, which means dust, the very beginning of life, mythologically speaking. The name reminds us that the artist has entered the world of microcosms to see what is there and how it embodies life in the process of beginning. From obsession with the minuscule, Macri looms large and the images collectively depict the poetry of burgeoning. He is aware, to revert to a Romantic conception of the origins of life, of electricity charging the very cell of things.

These unfamiliar but vibrantly strange and seductive images subtly transform the viewer who is lingering long over them, seeking to follow the tensions of the lines, to be whorled and curled among the structures, to enter the apertures and orifices so prolific throughout the works. We are indeed affected by what we behold. One of the functions of Macri’s art surely is to cut through the barriers, to present to us our hidden selves at the cellular level. Perhaps it allows us to identify with the howling giant shattering repression and biological determinism, as well as the artist breaking free from the artistic limitations of traditional forms and methods.

Macri does not, however, remain static in his work. There’s an almost frenetic energy in the various photos, installations, drawings, which suggests that the artist is fully aware of the contradictory, the conflicting, the many parallel identities within the human psyche. I can see the labyrinthine in his images, the sense of always entering, penetrating, probing, not fully revealing, but embracing the sensual and the sensuous simultaneously, not so much to define what is, but to tease out its essence. There’s a delving into the grey areas of existence, for black and white are too reductive and inimical to Macri’s vision and spirit.

He resides in the world of the indistinct or the half-hidden; desire felt but unspoken; the breath of the panther on the poet's mind, if you will; the soundless spinning of the planets which the ancients claimed made music; the intimations of ravenous desire which itself curls and whorls within the cellular, circumambulating corridors of the labyrinth, an image of the paradoxical wonders of the mind and body. The art contains multitudes of grey and provokes reactions of many and varied sorts, for it elicits and probes, transgresses and seduces, leading to hitherto unfelt experiences. Macri’s art, for all its emphasis on biology, remains a mystery as it is so inextricably connected with mind and desire. His images of exquisite intimations deeply penetrate the cells of the mind where desire thrives and yearns in shades of grey.

The energy of thriving cells and yearning structures in this intense, usually hidden world of creation and re-creation increases appetite. The hungers of life must be satisfied, or even the cell, the basis of existence, perishes. Given Macri’s predilection for greys or a deliberately limited choice of colours and tones, I think of specters of desire under a tree, wafting in a grey cloud chamber, the unfulfilled, aching to feel the compulsions of true life. There are suggestions of a greater field of unknown experience which remains unspoken, or possibly unspeakable, and a sense of potential destruction followed by inevitable re-creation. Macri's fine artistic power arouses and recognizes pre-existent thirst and yet instills the desire for more. It drives the mind into a whorl of expectations, invades and possesses through the energy of line and the subtlety of colour and the brilliant use of various media. Simultaneously his art rips out the old heart to make room for the new, and to celebrate a cosmos in the unnoticed.

Adamo Macri is above all an artist always in the process of probing and re-designing. The art is unseen life itself: the compulsions of fantasy, endless in the making; unspoken desires thriving and yearning in the deepest shades of silent grey; hidden fomentations and anxieties of mutations we cannot control. He creates scenarios of transgressive beauty. Moral norms and ordinary perceptions are deliberately violated as provocative sensations and new modes of expression emerge from the whirlpool of cellular energy and life.

Kenneth Radu is the author of a dozen books, including story collections, novels, poetry, and one memoir. His first collection of short fiction, The Cost of Living, was nominated for the Governor General’s Award. He has twice won the Quebec Writers’ Federation Best English-Language fiction award for A Private Performance and Distant Relations. His work has also been shortlisted for the Books in Canada First Novel Award and the Journey Prize. In the spring of 2010, DC Books (Canada) published his latest book, Sex in Russia: New & Selected Stories.

Adamo Macri: Still Life, Alba Parts and Spout

2010-09-13T12:49:00.000-07:00

Song of Flesh and Blood (Observations of Body Identity)
This exhibition represents three artists (Adamo Macri, Daphne Hill, Kat Schneck) that are examining ideas of the body identity within and outside of culture.

Three video works by Adamo Macri titled Still Life, Alba Parts and Spout.
Spout is an animated video short based on a drawing and poem written by Macri in 2001, dedicated to Swedish director Ingmar Bergman in acknowledgement and gratitude for his contribution to film. Both the original drawing and poem were created as an immediate reaction to watching Bergman's films, specifically the psychological horror The Hour of the Wolf (1968). Spout was created in 2006, one year before Bergman’s death.

The poem was originally written in English then translated into German. Macri utilizes German deliberately as an antonymic language to Italian, his mother tongue. The Italian language is generally considered fluid and melodic, akin to fluid brush strokes, whereas the German language features a more bold or harsh sound to the ear, with a more chiseled edge to its tone. Macri’s choice of German also reflects the geographic and cultural proximity to the Swedish language, as this relates to the director’s nationality and cultural roots.
For the voice in the poem, Macri chose an elderly German woman, a choice that represents a diametrical and obvious contrast to Macri’s own age and gender. Spout (2006) 02:15

Dreadful things can happen
The fence is near
Thermal springs may dry
You must understand
The culprit calls out in despair
Answer me
Question my chorus over again
How many strokes do you want?
How many do we deserve?
I declare
You've lost your way
Divert yourselves to the puppet show
The exquisite corpse
Please
Divert yourselves to the puppet show

Alba is short for Albaformisnumeric, a concept born of Macri’s initial motivation to draw a figure that would be held accountable for transmuting vector symbols such as words or numbers into matter, similar to the power demonstrated by mythological characters. Alba was created to symbolize a character with the power to dramatically transform our state of being, similar to the function and effect of sexual hormones upon the human body.

With the intention of creating a quadruped form that symbolized a figure of fertility with raging hormones, Macri made several drawings in various sections and parts. He began with sketching the back view and several critical features that needed to be incorporated as part of her form before the front view was determined and Alba was finalized.

The intent of the work was to develop a form or model resembling a complex external bodily organ, representing both testosterone and estrogen in a mélange of mechanical and organic elements. Alba is ultimately a mythological sort of Venus with powers that relate to Macri’s ex nihilo equation that represents the manifestation of a metaphysical process. The equation sequence is as follows:

0 = nothing
1 = one cell
2 = the splitting action of one cell into two equal parts
8 = addressing chasm as an empty yet viral area for possibilities to thrive in

The equation describes an expansion similar to the stages of procreation or gestation, when a single cell or seed begins to materialize. The ex nihilo equation reflects Macri’s obsession with the genesis of an idea and the reactive process of conceptualization as it begins in the mind, then transfers roughly onto paper, and lastly becomes tangible sculpture in actual physical form. Alba Parts (2007) 03:09

The Still Life video project illustrates the conceptual process of Macri's Still Life photographic installation, showing the storyboard sketches dissolving into sculptural pieces. Designed as a multiframe photographic piece, the original installation consists of 18 images across 18 rows, totaling 324 different frames.

The idea for Still Life originates with a rusty bathroom drainpipe, which has been out of use for some time. Due to numerous past attempts at unclogging it with various chemical and commercial products, elaborate calcified formations of gunk have occurred, and organic substances have seeped through eroded oxidized areas.

The pipe represents a vectorial aspect, as in "close to nothingness," easily overlooked or insignificant. This seemingly diffident object is actually the site of a thriving microcosmic ecosystem, sowing organic breakout from a seemingly inert entity. There are numerous examples of microcosmic worlds perceived as dry or inert while in reality thriving: dust particles are generally dismissed as lifeless, but in actual fact carry a complex and organic ecosystem. Within this concept of the negligible microscopic world is the idea of alpha, the beginning of something, and the abstract of holding it accountable both for its own proper demise or cyclical end, and the end it initiates externally, such as the illness and potential for death carried by viruses and bacteria. How can something so small be so fatal? Still Life parallels this idea found in nature, employing composition and visual narrative to explore a toxic ecosystem thriving within a delicate environment. In such thought-provoking microcosmic systems that internalize the cycle of alpha and omega, the beginnings of life and what can cause it to end are both too small to be visible by the human eye.

Due to the nature of the multiframe process, the human eye is compelled to scan through the images quickly. Conversely to film, where each frame is projected singularly and the scene unfolds progressively, the Still Life photographic installation exposes all frames and scenes simultaneously. The eye can scan the rows of stills at a very fast pace. This references another element of the toxic environment, what Macri describes as its sojournal nature, a concept that ties into a contaminated area’s character, wherein the toxins quickly transgress each element, every frame being temporarily and briefly present.

An important element to understanding Still Life is Macri’s unique standpoint on sculpture, the belief that the idea alters the perception of the tangible object. There is a tension created between sculpture as a three-dimensional event and the practice of anti-sculpture, based upon perceiving sculpture as an occurrence and not static presence. The artist defines it as “an ephemeral three-dimensional occurrence, located at a specific point, which conjures up atemporal art.” Still Life (2006) 03:36

Garage 4141 Alabama Street San Diego, California 92104
Saturday September 18, 2010
Opening Reception 6:00 - 9:00pm
View Poster
Discover SD
ArtReview

ISNA: Tehran Culture and Arts - Adamo Macri

2010-09-08T08:17:00.000-07:00

Human Emotion Project
هنرمندان معاصر با استفاده از فیلم و ویدئو
Adamo Macri (One Onion Canon)
September 7, 2010
6:30 - 9:00pm
Mohsen Art Gallery
No. 42 East Mina Blvd. Farzan Street, Nadji Street, Zafar, Tehran, Iran
ISNA

Adamo Macri: Sazmanab Project - Iran

2010-09-07T06:35:00.000-07:00

Human Emotion Project
هنرمندان معاصر با استفاده از فیلم و ویدئو
Adamo Macri (One Onion Canon)
Sazmanab Project
September 11, 2010
6:30 - 9:00pm
(View Poster)

Adamo Macri: Mohsen Art Gallery - Iran

2010-09-03T08:16:00.000-07:00

Human Emotion Project (22 International Artists)
هنرمندان معاصر با استفاده از فیلم و ویدئو
Adamo Macri (One Onion Canon)
Tuesday, September 7, 2010
6:30 - 9:00pm
Mohsen Art Gallery
No. 42 East Mina Blvd. Farzan Street, Nadji Street, Zafar, Tehran, Iran
ISNA: Tehran Culture and Arts
(View Poster)

Adamo Macri: Song of Flesh and Blood

2010-08-23T08:54:00.001-07:00

Song of Flesh and Blood
(Observations of Body Identity)

This exhibition represents three artists that are examining ideas of the body identity within and outside of culture. Adamo Macri, Daphne Hill and Kat Schneck.

“All these convexities and orifices have a common characteristic; it is within them that the confines between the body and the world are overcome; there is an interchange and an interorientation. This is why they remain event of and in the life of the grotesque body, the acts of the bodily drama, take place in this sphere. Eating, drinking, defecation and other (sweating, blowing of the nose, sneezing), as well as copulation, pregnancy, dismemberment, swallowing up by another body and the outer world, or on the confines of the old and new body. In all these events the beginning and end of life are closely linked and interwoven.”
Milhail Bakhtin (Rabelais and His World)

Adamo Macri - Video art titles: Spout, Still Life, Alba Parts.

(PDF)
(View Poster)

Garage 4141 Alabama Street San Diego, California 92104
September 18, 2010
Opening Reception 6-9pm
Discover SD

Adamo Macri: HEP Paris 2010

2010-07-20T08:00:00.001-07:00

Human Emotion Project: Paris
22 & 23 July 2010
Adamo Macri: One Onion Canon

Galerie Younique 6 Avenue de la Soeur Rosalie 75013 Paris
younique-art.com

Adamo Macri - Catalogues

2010-07-15T07:58:00.000-07:00

Human Emotion Project - Video Dia Loghi 2009 Catalogue, Torino Italy

HEP Macau China Exhibition 2009-2010 Catalogues

Human Emotion Project - Macau China Exhibition 2009-2010 Poster

Press & Articles: Adamo Macri - Experimental Cinema

2010-07-13T13:30:00.001-07:00

Experimental Cinema

Press & Articles: Adamo Macri - Artda

2010-07-13T13:28:00.001-07:00

Artda

Press & Articles: Adamo Macri - Platform58

2010-07-13T13:27:00.001-07:00

Platform58

Press & Articles: Adamo Macri - FRAME

2010-07-13T13:25:00.001-07:00

FRAME

Press & Articles: Adamo Macri - FRAME Digital

2010-07-13T13:23:00.000-07:00

FRAME Digital

Press & Articles: Adamo Macri - NOTCOT

2010-07-13T13:20:00.000-07:00

NOTCOT

Press & Articles: Adamo Macri - SHOWStudio

2010-07-13T13:17:00.001-07:00

SHOWstudio

Press & Articles: Adamo Macri - DVblog

2010-07-13T13:14:00.000-07:00

DVblog

Adamo Macri - Contemporary Art Fair Beijing

2010-07-11T11:29:00.000-07:00

Adamo Macri (One Onion Canon) Video Art - Curated by José Drummond for Artists Cinema @ Art Beijing 2010 - Contemporary Art Fair

Adamo Macri Art Beijing 2010

View more presentations from Adamo Macri.

Press & Articles: Adamo Macri - Daily Digital

2010-07-10T14:34:00.000-07:00

Daily Digital

Press & Articles: Adamo Macri - Beijing Contemporary Art Fair

2010-07-10T14:33:00.001-07:00

Beijing Contemporary Art Fair

Press & Articles: Adamo Macri - ionone

2010-07-10T14:32:00.001-07:00

I On One

Press & Articles: Adamo Macri - CAFA

2010-07-10T14:31:00.001-07:00

CAFA

Press & Articles: Adamo Macri - Newsvine

2010-07-10T14:30:00.001-07:00

Newsvine

Press & Articles: Adamo Macri - Arte Valladolid

2010-07-10T14:28:00.001-07:00

Arte Valladolid

Press & Articles: Adamo Macri - Artabase

2010-07-10T14:26:00.000-07:00

Artabase

Press & Articles: Adamo Macri - SOURGASM

2010-07-10T14:25:00.001-07:00

SOURGASM

Press & Articles: Adamo Macri - IVAZION

2010-07-10T14:24:00.001-07:00

IVAZION

Press & Articles: Adamo Macri - Gonçalves Sapinho Cultural Center

2010-07-10T14:22:00.000-07:00

Gonçalves Sapinho Cultural Center

Press & Articles: Adamo Macri - Arte é Experança

2010-07-10T14:21:00.001-07:00

Arte é Experança

Press & Articles: Adamo Macri - El Norte de Castilla

2010-07-10T14:18:00.001-07:00

El Norte de Castilla

Press & Articles: Adamo Macri - SOURGASM

2010-07-10T14:16:00.001-07:00

SOURGASM

Press & Articles: Adamo Macri - Arte Globale

2010-07-10T14:13:00.001-07:00

Arte Globale

Press & Articles: Adamo Macri - Museu José Malhoa

2010-07-10T10:35:00.001-07:00

Museu José Malhoa

Press & Articles: Adamo Macri - Post Video Art

2010-07-10T10:34:00.001-07:00

Post Video Art

Press & Articles: Adamo Macri - Australian Art Review

2010-07-10T10:33:00.001-07:00

Australian Art Review

Press & Articles: Adamo Macri - Xinhuanet

2010-07-10T10:31:00.001-07:00

Xinhuanet

Press & Articles: Adamo Macri - Macau Daily Times

2010-07-10T10:29:00.001-07:00

Macau Daily Times

Press & Articles: Adamo Macri - Arts News Canada

2010-07-10T10:28:00.001-07:00

Arts News Canada

Press & Articles: Adamo Macri - Newsvine

2010-07-10T10:26:00.001-07:00

Newsvine

Press & Articles: Adamo Macri - MOMENTemagazine

2010-07-10T10:24:00.001-07:00

MOMENTemagazine

Press & Articles: Adamo Macri - HPWCN

2010-07-10T10:22:00.000-07:00

HPWCN

Press & Articles: Adamo Macri - Envy & Lust

2010-07-10T10:20:00.001-07:00

Envy & Lust

Press & Articles: Adamo Macri - Artintern

2010-07-10T10:19:00.001-07:00

Artintern

Press & Articles: Adamo Macri - Gawker

2010-07-10T10:17:00.001-07:00

Gawker

Press & Articles: Adamo Macri - Online Exhibit

2010-07-10T10:15:00.001-07:00

Online Exhibit

Press & Articles: Adamo Macri - Arts News Canada

2010-07-10T10:13:00.000-07:00

Arts News Canada

Press & Articles: Adamo Macri - Arts Forum Weblog

2010-07-10T10:12:00.001-07:00

Arts Forum Weblog

Press & Articles: Adamo Macri - Delta Bridges

2010-07-10T10:08:00.000-07:00

Delta Bridges

Arte é Experança - Adamo Macri

2010-07-08T12:06:00.001-07:00

Arte é Experança: Expoir Port Experence

Catalogue: Video Dia Loghi - Adamo Macri

2010-07-08T11:32:00.000-07:00

Pages from the Video Art Festival Catalogue:
Video Dia Loghi 2009, Torino Italy

Adamo Macri: HEP Paris 2010

2010-05-29T08:13:00.000-07:00

Human Emotion Project: Paris
22 & 23 July 2010
Adamo Macri: One Onion Canon

Galerie Younique 6 Avenue de la Soeur Rosalie 75013 Paris
younique-art.com

Adamo Macri: Culture Center Laaksola

2010-05-16T09:52:00.001-07:00

HEP 2010 Finland
Laaksola Culture Center
Laaksola Kulttuurikeskus
Ryödintie 2, Toijala, Finland
July 1-30, 2010
Private View: June 30, 2010 @ 19:00

Adamo Macri: One Onion Canon
Facebook
View Map

Adamo Macri: FACES - Portugal 2010

2010-05-01T13:51:00.000-07:00

HEP 2010 Installation - Portugal
FACES
4 Channel Video Installation
Adamo Macri: SLIDE
7 - 15 May 2010

Gonçalves Sapinho Cultural Center
Rua do Centro Comunitário Apartado 197 2476-901
Benedita - Alcobaça - Portugal

Curator: Alberto Guerreiro
Director: Alison Williams

Adamo Macri: Beijing Contemporary Art Fair

2010-04-28T07:53:00.000-07:00

Beijing Contemporary Art Fair
China Agricultural Exhibition Center
ARTIST CINEMA
Adamo Macri: One Onion Canon
April 29 - May 2, 2010
www.artbeijing.net

Co-organizers:
译象 ET-AC Yi Xiang ET-AC
北京大学视觉与图像研究中心 Centre for Visual Studies Peking University
中国影像艺术2010年展项目组 2010 Chinese Screenage Art Exhibition
中国影像艺术论坛项目组 Chinese Screenage Art Forum
C空间 C-Space
阿拉里奥北京 Arario Beiji

Adamo Macri: PARAKINO - HEP2010 Poland

2010-04-22T07:31:00.000-07:00

PARAKINO
HEP Poland 2010
Adamo Macri: SLIDE

6 MAY 2010 @ 18:00
Laznia Centre for Contemporary Art
Centrum Sztuki Współczesnej Łaźnia
ul.Jaskółcza 1, 80-767 Gdańsk

Curator: Michał Brzeziński
www.laznia.pl
Gdańsk
PostVideoArt

Participating Artists:
German Britch, Larry Caveney, Michael Chang, Maryam Fakhimi, Sue-Pam Grant, Alberto Guerreiro, Jerry King, Adamo Macri, Bill Millett, Pekka Ruuska, Anders Weberg, Alison Williams.

HEP2010 Geneva: Adamo Macri

2010-04-16T10:55:00.000-07:00

Human Emotion Project
Adamo Macri: One Onion Canon
APRIL 30, 2010
I V A Z I O N
Rue de Genève 1, Geneva, Switzerland

Wikibin.org: Adamo Macri

2010-04-11T08:20:00.000-07:00

Wikibin Article: Adamo Macri (Link)

Multilingual Archive: Adamo Macri

2010-04-08T08:09:00.000-07:00

Interceder.net - Adamo Macri

2010-04-03T07:24:00.000-07:00

Adamo Macri (Montreal, Canada, 1964) is a Canadian contemporary artist who lives and works in Montreal. EARLY LIFE: Adamo Macri graduated... (Link)

Mud Persuasion & Adamo Macri

2010-04-02T09:47:00.000-07:00

Migrant Tiger: Mud Persuasion and Adamo Macri

Migrant Tiger has a passion for creation, destruction and debauchery... (Read)

The Clandestine Series: Adamo Macri

2010-03-13T11:23:00.000-08:00

The Clandestine Series @ DigitalSouls

Adamo Macri: I wanted to create a body of work that placed importance on negative space. Not necessarily a role reversal, but a balance ... (Read)

Adamo Macri: Talks About Soliloquy

2010-02-16T07:34:00.001-08:00

About Soliloquy

Adamo Macri : I cast Lola, a transgendered she-male, without meeting her, for a different project I'm currently developing entitled Armed. I was forewarned by a few who know her well that she was a strong and challenging personality to contend with, but it was clear in my mind that Lola was the only one for the part. It was when she arrived at the studio that I began to suspect that something other than Armed was going to happen. The critical moment occurred while getting acquainted with her during the makeup session before the photoshoot. It felt like I was speaking to someone who was contained within a body, the surface of which felt very much external, as if an eclipsed "other" was governing the physical being, over and above her uncanny presence as a kind of manufactured hybrid sexual object. I immediately thought of how it must have felt when Da Vinci first met La Gioconda, or when John Waters first saw Divine, or even when the concept of Frankenstein first popped into Mary Shelley's imagination. At that moment, it became clear to me that Soliloquy needed to be made.

Adamo Macri - Beijing China

2010-02-13T09:20:00.000-08:00

AFA BEIJING
Beijing Contemporary Art Centre

1 ArtBase, "Beijing 318 Art Garden" East 6-3, Hegezhuang Village, Cuigezhuang Township, Chaoyang District, Beijing China
16 January - 14 March 2010
Opening hours: 12:00 - 18:00
Closed Mondays

Artda.cn

HEP 2010 Beijing: Adamo Macri

2010-01-23T10:14:00.000-08:00

HEP 2010 BEIJING - Adamo Macri

2010-01-14T10:07:00.000-08:00

AFA BEIJING
Beijing Contemporary Art Centre

The exhibition will be divided in 4 sections, which will run simultaneously in 4 different rooms.

Adamo Macri
One Onion Canon (2007)
Duration: 05:51
Music composed by: Índios Eletrônicos (André Ramiro & João XXIII)
Recorded by: Carlos Zubeck
Mixed by: Carlos Zubeck & Índios Eletrônicos
Song Title: Morainas

1 ArtBase, "Beijing 318 Art Garden" East 6-3, Hegezhuang Village, Cuigezhuang Township, Chaoyang District, Beijing China
16 January - 14 March 2010
Opening hours: 12:00 - 18:00
Closed Mondays
artnow.com.cn

The term "video" commonly covers a vast range of activities, including feature films on video tape, music videos, home video recordings, closed circuit video surveillance, corporate and information video, video used for legal evidence in the police and court systems, television, internet, and, we shouldn't forget video art in all its manifestations.

We can link the word "video" to specific objects like videotape or video cameras and obvious related practices and as much as there is heterogeneity of practices, which go under the same name, the purposes are as diverse - showing that the term is archaic and that "video" is a hybrid medium in constant transformation.

This current uncertainty about the role and nature of "video" and the inclusion of disciplinary boundaries is linked to a broader crisis in knowledge, a characteristic of our times.
The displacement of the traditional culture by the rise of a spectacular image suggests that as much as video offers a new kind of object, it is also part of a profound transformation of the social and cultural conditions within which is produced.

The various manifestations of Video Art throughout the last 40 years provide us an alternative parallel timetable where unquestionably were eliminated the concerns, techniques and problems inherited from more academic art forms. In most cases, the artists who use video developed a process of exploration and reduction, by the elimination of all extrinsic characteristics until they arrive at what is, presumably, a core, an essence.

The assumption that by stripping the medium down to its unique features will lead us to its innermost core, its own proper identity is just one side of the question. It is for the artist to trace a concern, not so much for limiting the specificity of different media, but for understanding their interrelationships. In other words, video artists today are most often interested in the hybrid rather than the pure, in transformation and intersection rather than discrete and stable boundaries.
Video is, therefore, one of the most prolific visual mediums in use today.
Contributions from the extensive collection of the Human Emotion Project, founded and directed by the South African artist Alison Williams, give Macau a selection that links together more than 40 voices from all over the world.

"Paradox", "Loss & Desire", "Transformation" and "Fantasy" are the chosen themes for understanding video art, its own multiplicity and reunion around the imaginative subject of The Human Emotion Project (HEP).

The artists in "Paradox" investigate the contradictions between documentary and performance, fact and fiction, order & chaos. What is real and what is staged? The absurdity of real life, the ambiguity of movement and the enigma of space are some of the perceptions raised in "Paradox".

Dave Swensen (Until Death Parts Us) - USA
Nicole Rademacher (Walk With Me) - USA
Khairy Hirzalla (Looking for) - Jordan
Hakan Akcura (Catharsis) - Turkey/Sweden
Larry Caveney (Arm Wresting Intervention) - USA
Kim Miller (Thanx for Meeting Me Here) - USA
Vienne Chan (Nightdance) - Hong Kong/Canada
Basmati Corpus (Tracks) - Italy
Irina Gabiani (Samaia or Triamazikamno) - Luxembourg
Xenia Vargova (Tutu) - Bulgaria
Ng Fong Chao (Redemption) - Macau

"Loss & Desire" explores the ambiguity of misplaced feelings from philosophical aspects to the emotional. The strong deficit of engagement, the desire for connection and the interior struggle for clarity are present in each work.

Gaia Bartolini (Unseen Dialogue) - Italy
Daniel Chavez (Self Examination – I Am Nothing) - USA
Michael Douglas Hawk (Bubble Girl) - Germany
Richard Jochum (Mama) – Austria/USA
Alison Williams (Cage-panic) - RSA
Debbie Douez (Two in One) - Spain
Manfred Marburger (Proud) - UK
Gili Avissar (Self portrait-Dead artist) - Israel
Jose Drummond (The Illusionist) – Portugal/Macau
Masha Yozefpolsky (Deep Freeze) Israel
Bianca Lei (Won Ton noodles, I love…… IT !) - Macau

The power of "Transformation" is a vibrant and integral part of all of our lives. The mystery of life forever changing, the spirituality of isolated gestures and sounds and the manipulation of these elements compose a space of reflection and intimacy.

Amina Bech (Tranquility Inverted) - Norway
Bill Millett (The Book) - UK
Anders Weberg (Undisclosed beauty) - Sweden
Glenn Church (Fragility) - UK
Alison Williams & Anders Weberg (Mirror Mirror) - RSA/Sweden
Christy Walsh (Isolation) - USA
Alberto Guerreiro (Transcendent) - Portugal
Alicia Felberbaum (There and Back) - UK
Sue Pam-Grant (Portrait) - RSA
Danny Germansen (Alienation & loneliness) - Denmark
Alice Kok (The Duet) - Macau

"Fantasy" draws inspiration from the apparent fascination of lively graphic imagery. The looping of the modern era, the provocation of literature, the encounter with the fantastical and the employment of technology contribute to the process making of these visual stories.

Adamo Macri (One Onion Canon) - Canada
Ebert Brothers (Bluescape) - Germany
Verena Stenke & Andrea Pagnes (Crossing) - Italy
Robertina Sebjanic (Bubble) - Slovenia
Niclas Hallberg (The Crying Man) - Sweden
Michael Chang (Concerto Azzurro) - Denmark
Paolo Bonfiglio (Mater) - Italy
João Ricardo (Scarleet) - Portugal
Cindy Ng (Walking) - China

Copyright 2006-2008 All Rights Reserved AFA A-N-D DESIGN 京ICP备10003299号

HEP 2009 Global Exhibitions

2009-12-14T08:11:00.000-08:00

HEP Torino Italy: Festival Video DiaLoghi

2009-12-12T07:05:00.000-08:00

Human Emotion Project: Torino Italy
Festival Video DiaLoghi
14 - 21 December 2009

Cinema Massimo Sala 3 – Museo del Cinema
Velan Centro d'arte Contemporanea
Galerja Dimenzija Napredka Nova Gorica Slovenia
Via Modena 52 10153 Torino Italia

Curators: Willy Darko, Alison Williams, Michael Chang, Nataša Kovšca
PDF
Poster
Artist List

Adamo Macri: HEP Macau China

2009-11-06T12:16:00.001-08:00

AFA @ Portuguese Bookshop Gallery Macau
Livraria Portuguesa, Rua de S. Domingos No. 18, Macau
14 November - 12 December 2009
Hours: 11:00 to 19:00
Media: Video
Curator: José Drummond
Macau Daily Times
Asia Art Archive
Delta Bridges
Artcitizens
Macau 24
facebook: Exhibit
facebook: AFA Macau

Sguardi Sonori Festival: Benevento

2009-10-28T09:47:00.001-07:00

Sguardi Sonori Festival
Festival of Media and Time Based Art

Benevento Italy 6 November - 31 December 2009
Rocca Dei Rettori
Piazza 4 Novembre, 82100 Benevento BN, Italia

Human Emotion Project @ Sguardi Sonori Festival
Collaboration with Faticart Group & curated by Carlo Fatigone - Association of Contemporary Art - organization of events and festivals of:
ELECTRONIC MUSIC, SOUN INSTALLATIONS & PERFORMANCES, CONTEMPORARY ART (NetArt), VIDEO ART, INDIPENDENT CINEMA, ABSTRACT CINEMA.

HEP [Museu José Malhoa] Portugal: Adamo Macri

2009-10-18T12:11:00.000-07:00

Human Emotion Project - International Artists Using Film & Video
HEP Portugal 2009 - Emoção Humana - Video Arte Internacional

Corpus - The Body Outside the Mind (Sculpture Room)
Adamo Macri: One Onion Canon

Museu José Malhoa
Parque Dom Carlos I 2500-109 Caldas da Rainha Portugal
20 - 25 October 2009
10h00 - 12h30 | 14h00 - 17h00

Evening Projection & Conference by art professor Fernando Galrito
Thursday 22 October @ 21h00. This event will be by invitation only.

PDF
Jornal Das Caldas
Daily Digital
RDB ruadebaixo.com

Instituto de Museus e da Conservação (IMC)
Museu José Malhoa (MJM)
IPL – Escola Superior de Artes e Design das Caldas-da-Rainha (ESAD.CR)
Museu do Hospital e das Caldas – Centro Hospitalar do Oeste Norte
mjm.imc-ip.pt

Optica Festival Madrid: Adamo Macri

2009-10-09T12:03:00.000-07:00

Optica Festival Madrid 2009
Espacio Espora
Embajadores, 35
28012 Madrid
15 - 17 October 2009

Human Emotion Project [HEP2009]
Parte 1a: Adamo Macri
Jueves 15 de Octubre, a las 19h:00
PDF: Optica Madrid 2009

Sguardi Sonori Festival: Adamo Macri

2009-10-07T10:49:00.000-07:00

Sguardi Sonori Festival
Festival of Media and Time Based Art

Rome Italy 3-18 October 2009
Frascati Scuderie Aldobrandini per l'Arte Contemporanea
Piazza Marconi 6, 00044 Frascati Roma Italia

Human Emotion Project @ Sguardi Sonori Festival

Irina Gabiani Lussemburgo - Karina Smigla-Bobinski (Germany) - Wilfried Agricola de Cologne (Germany) - Jose Drummond (Portugal) - Anders Weberg (Sweden) - Manfred Marburger (UK) - Daniel Chavez (USA) – Adamo Macri (Canada) - Alison Williams (RSA) - John Benneth (USA) Jeannette Louie (USA) - Stina Pehrsdotter (Sweden) - Vienne Chan (Hong Kong, Canada) - Debbie Douez (Spain) - Alicia Felberbaum (UK) - Matteo Bosi (Italia) - Nicholas Lynn (Australia) - Elke Reinhuber (Germania) - Cristiana Cerrini (Italia) - Florindo Rilli (Italia) - Andrea Pagnes Verena Stenke (Italia, Germania) - Dino Viani (Italia) - Sinasi Gunes (Turchia) - Debra Petrovich (Australia) - Gruppo Sinestetico (Italia) - Soundbarrier (Italia) - Gianluca Proietti (Italia) – Alberto Magrin (Italia) - Antonella Pintus aka Anna Bolena (Italia) - Basmati: Saul Saguatti - Audrey CoÏaniz (Italia) - Caterina Davinio (Italia) - Claudio Parentela (Italia) - Dino Viani (Italia) - Edoardo Baraldi (Italia) - Fabio Fiandrini (Italia) - Flavio DBPIT (Italia) - Carlo Fatigoni (Italia) - Lemeh42 (Italia) - Marilena Vita (Italia) - Mauro Sambo (Italia) - Nicola Giunta (Italia) - Nicola Mette (Italia) - Paolo Bonfiglio (Italia) - Sara Luraschi (Italia) - Xxena (Italia) - Michael Chang (Denmark) - Glenn Church (UK) - Anders Weberg (Sweden) - Richard Jochum (USA) - Ebert Brothers (Germany) - Niclas Hallberg (Sweden) - Mmasha Yozefpolsky (Israel) - Simone Stoll (Germany) - Roy LaGrone (USA) - Antonia Valero (Spagna) - Bulent Bas (USA) - Curt Cloninger (USA) - Elizabeth Miklavcic (USA) - Eva Olgiati (USA) - Heike Fiedler (Scisse) - Gili Avissar (Israele) – Gwenn Joyaux (Argentina) - Haidji Portogallo & Larry Caveney (USA) - João Ricardo (Argentina) - Margarida Paiva (Portogallo) - Meri Nikula (Norvegia) - Miri Nishri (Israele) - Pekka Ruuska (Finlandia) - Rafiqul Shuvo (Bangladesh) - Robertina Sebjanic (Slovenia) - Xenia Vargova (Portogallo).

Collaboration with Faticart Group & curated by Carlo Fatigone - Association of Contemporary Art - organization of events and festivals of: ELECTRONIC MUSIC, SOUN INSTALLATIONS & PERFORMANCES, CONTEMPORARY ART (NetArt), VIDEO ART, INDIPENDENT CINEMA, ABSTRACT CINEMA.

Optica Festival Paris

2009-09-21T08:04:00.000-07:00

Optica Festival Paris
September 24 - 26 2009

Lieu d'Optica Paris 2009
Collège d'Espagne - Cité Universitaire Internationale
Sala Luis Buñuel - 7e et 17 bd Jourdan - 75014 Paris

Human Emotion Project - Optica Paris
Programme #8: Adamo Macri
Vendredi 25 Septembre @ 19h:00
PDF: Optica Paris 2009

Optica Festival Córdoba

2009-09-06T09:20:00.000-07:00

Optica Festival: 10 - 12 September 2009
Festival Internacional de Videoarte - Córdoba
Filmoteca de Andalucia - Espacio 3
C/ Medina Y Cordella, 5 Córdoba, Spain

Start Time: Thurs, Sept 10 @ 6:00pm
End Time: Sun, Sept 13 @ 12:00am

Human Emotion Project at Optica:
Irina Gabiani, Debbie Douez, Robertina Sebjanic & Nika Autor, Alberto Guerreiro, Osvaldo Cibils, Christy Walsh, Karina Smigla-Bobinski, Eduardo Cuadrado, Richard Jochum, Adamo Macri, Alison Williams, Masha Yozefpolsky, Anders Weberg, Pablo de Castro, Paolo Bonfiglio, Marty McCutcheon, Vienne Chan, Jose Drummond, Michael Chang, Tim White-Sobieski, Leme 42, Debbie Douez, Tatiana de Luxe, Tristan Mory, Glenn Church, Roy LaGrone, Ektoras Binikos, Álvaro Perez Mulas, Gaia Bartolini, John Benneth, Niclas Hallberg, Mads Ljungdahl, José Luis Pajares, Alicia Felberbaum, Ebert Brothers.
PDF: Optica Cordoba 2009

Optica Art Fairs

HEP 2009 Sweden - Adamo Macri

2009-08-20T07:15:00.000-07:00

HEP SWEDEN
FORMVERK ART ZONE
29 Aug - 26 Sept 2009
Adamo Macri: SLIDE & One Onion Canon
Curators: Niclas Hallberg & Stina Pehrsdotter
www.formverk.se

Human Emotion Project is a global video project directed by Alison Williams. Artists from around the world are invited to interpret human emotions and inner experiences using the moving image. The project invites international curators to make their selection of the works to be shown at their respective local venues. Formverk Art Zone has chosen to present a month long exhibition, on a large scale projection with selected works on rotation. HEP 2009 has screened at numerous events, festivals and museums in Europe and will continue to spread globally with planned shows in China, Iran, Georgia, USA, Turkey and Canada.

HEP 2009 Macau China

2009-07-21T08:57:00.001-07:00

HEP 2009 Macau - 8 Aug - 4 Sept 2009
AFA Portuguese Bookshop Gallery - Galeria da Livraria Portuguesa
板樟堂街18號 - Rua de S.Domingos 18

Adamo Macri - One Onion Canon
Curator: José Drummond
www.afabeijing.com

HEP 2009 PORTUGAL: Adamo Macri

2009-04-26T09:37:00.000-07:00

HEP 2009 PORTUGAL. Documented visually by international artists using film or video. Amongst the artists selected, Adamo Macri's video piece OOC [One Onion Canon] was chosen by curator Alberto Guerreiro for this one night open-air event. As part of Museum International Day on May 16, 2009 in the Gardens of the Ceramic Museum. 21:00 - 22:00 and 23:00 - 24:00
Screening Program
Instituto dos Museus e da Conservação
Jornal das Caldas
Experimental Cinema
Hoje Macau
CULTURA Online
ARTslant Worldwide

Museu Da Cerâmica
Quinta do Visconte de Sacavém
Rua Dr. Ilídio Amado
2504-910 Caldas da Rainha Portugal

Adamo Macri Slideshows

2009-04-20T09:20:00.000-07:00

View three slideshows: "Still Life" "EXUVIAE" and "SLIDE & OOC"
Adamo Macri's Presentations

HEP SPAIN: El Norte de Castilla

2009-04-18T09:00:00.001-07:00

HEP 2009 SPAIN: El Norte de Castilla